Friday, April 23, 2021

Opinion Today: Ava DuVernay is building the Hollywood she wants

"We're not going to get there through hopes and dreams."
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By Lindsay Crouse

Senior Editor

It's no secret that when it comes to diversity, the Oscars have plenty of work to do. This is among the most diverse awards years ever — but like in any elite industry, the odds of reaching the top are unequal.

Few people understand that better than Ava DuVernay, the acclaimed director who has effectively worked double time over her decade in Hollywood's establishment — to diversify its stories through her art, and to diversify the industry at large, through mentorship and outreach to younger talent outside the white male norm.

I interviewed her last week about her thoughts on what it takes to transform Hollywood and about her real wish, which is to be like her white male peers who get to just make art. You can read it all in my Op-Ed, which was published this morning.

"The only way to get through the door is if it's open — and it's certainly not open, but with each person that goes through, it moves a little bit more," DuVernay told me.

I've spent a decade producing Op-Docs, The Times's short documentary series, and in that time, I've gotten a close-up look at what it takes to open those doors. It can be tempting to never look back after making it through — or to just give up and walk away. DuVernay has chosen to stay on and usher outsiders in.

This year, five different first-time Oscar nominees, all of whom are people of color, can trace at least part of their success to her support.

One of them is Kris Bowers, the co-director of our Op-Docs Oscar nominee, "A Concerto Is a Conversation." "I think in 20 years we're going to have a generation of filmmakers of color who all got to where we are because of Ava," Bowers told me.

DuVernay's work to diversify the Oscars, especially in lesser-known categories like "Best Documentary Short Subject," is important because a nomination is a career catalyst. And too often the awards crown those who already have a running start, while widening the chasm between them and everyone else.

Ultimately the academy is no different than any other powerful institution. As former outsiders like DuVernay begin to lead, they are extending a hand to those behind them, even if it amounts to a tax on them and their own creative ambitions. And it's making a difference. Because the rules are not fair. But they can change.

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